In Chroma, color becomes both subject and medium. The piece plays with glitch aesthetics and topographic visuals, rendering soft pastel tones into fractured digital forms. The layered structure resists stable interpretation, with vertical disruptions challenging the smoothness of the surface.

This work speaks directly to the conceptual foundation of Colorama: treating color not as background, but as a shifting entity that interacts with time, distortion, and sensory perception. Chroma explores the fragility of digital environments — where clarity and breakdown coexist in constant negotiation.