Positioned within the Colorama Collection’s exploration of color as structure, emotion, and system, Nulla stands as a counterpoint — investigating the perceptual effects of color’s absence. It focuses on motion and contrast in their most essential forms, using undulating line distortions to examine how rhythm and repetition generate affective responses without chromatic input.

Rather than aiming for visual austerity, Nulla foregrounds how stripped-down visual systems can still provoke sensation and meaning. Its monochromatic field invites closer attention to visual texture, temporal flow, and spatial ambiguity — offering an experience where absence becomes a site of presence.